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Read Aloud Recommendations

cover of the book Thy Friend, Obadiah by Brinton Turkle

Thy Friend, Obadiah
Written and illustrated by Brinton Turkle; published in 1969 by The Viking Press (New York, NY).

. . . . "He was on the cobblestone street by the blacksmith's shop when he discovered that the sea gull was hopping along behind him. Obadiah stopped. The bird stopped. The fishhook bobbed in the wind. 'If thee is quiet, I'll try to get that off thy beak.' The sea gull didn't move."

Summary:
In Thy Friend, Obadiah, Brinton Turkle tells the story of young Quaker boy living on Nantucket Island in Colonial times who, much to his dismay, is being followed around town by a sea gull. The bird follows him to the candle maker's place and the fish market, and even sits outside his bedroom window; Obadiah's brothers and sisters tease him mercilessly about his new "friend". Obadiah does whatever he can to rid himself of the sea gull, but when it disappears unexpectedly for a few days and then turns up with a fish hook stuck to its beak, Obadiah has a change of heart and realizes he actually cares about the bird.

Parents:
Thy Friend, Obadiah is a touching story that explores the meaning of friendship and companionship. Even though the story is set in early America when everyday life was very different, kids can still relate to Obadiah, who does the same kinds of things little boys and girls do today (throwing pebbles at birds, making duck tracks in the snow, etc.) Most little children like animals and will especially like the sea gull; children will also be interested in the words thee and thy and will wonder why the characters don't just say "you" and "your".

Teachers: This book could of course be connected to lessons about Colonial New England or about the Quaker community in early America, but it could also be used in lessons early in the school year about what it means to be a friend to others in the class. There is a lot to be learned from the book in terms of friendship, including that: teasing is hurtful; companionship is important in life; friends help one another; and s
ometimes our friends choose us instead of the other way around. Thy Friend, Obadiah could also be used in a study of how we interact with our environment, particularly with animals.

Personal Note: My parents got me this book when I was six years old, as a gift upon entering kindergarten. They read it to me often and it has remained a favorite throughout the years. Now the book is on my own kids' bookshelf, looking a little worse for wear--the dust jacket disappeared years ago and the corners are threadbare--but still requested and read aloud often.



cover of the book To Be a Drum

To Be A Drum
Written by Evelyn Coleman, with art by Aminah Brenda Lynn Robinson; published in 1998 by Albert Whitman & Company (Morton Grove, IL).

. . . . "But cruelty cannot stop the earth's heart from beating. The earth's spirit moved through us still and pushed--not only out our fingers, but out our entire bodies. And we became the drums. Living drums--beating for the whole world to hear and see. We were alive! We would be free."

Summary:
To Be A Drum grew out of Evelyn Coleman's own childhood experiences and her belief that "all people are connected by the earth's heartbeat". The book uses words and powerful artwork to explore the history of the African American people, using the metaphor of a drum beat to portray the spirit that has sustained and connected the black community through difficult and challenging times over the last several hundred years. The author highlights the accomplishments of African Americans and touches on themes of freedom, courage, perseverance, family, community, individuality, and creativity.

Parents: Children will enjoy the incredibly rich mixed-media illustrations in this book and will have fun trying to locate and identify the various materials used in the artwork, including yarn, buttons, raffia, sticks, pebbles, mud, basket fragments, raw cotton, and many, many different kinds of fabric. Parts of the story may be difficult for young children to understand (why would people chain other people up and put them on a ship?), but the writing is appropriate for small children and the story, while sad at times, is ultimately uplifting and is a good way to introduce a complex subject.

Teachers: There are many ways in which this book could be used in the classroom. The obvious connection is to American history, particularly the history of slavery and oppression of blacks in the United States. An art lesson might use the book as a jumping off point for exploration of the mixed-media art form; students could make their own mixed-media artwork using Robinson's work as an example and inspiration. A music lesson might have students
using actual drums to compose different drumbeats that complement the book or that represent students' interpretations of their own personal life rhythms.

Personal Note: I bought this book at The Art Institute of Chicago after viewing an exhibition of Aminah Brenda Lynn Robinson's work at the museum, including some of the artwork for To Be A Drum. Her creations were so amazing to see in person--so intricate and colorful and powerful--that I wanted to be able to share them in some way with my family when I got home. I thought my kids would really enjoy the story and the illustrations, which they do!



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This web page was first published on September 27, 2006; last updated on April 10, 2007.
Photograph taken by Kevin English and used with permission.